Ezra Denine

Surrealist and Mythological Oil Painter

Most religions and spiritual systems ask that you strive for transcending the body. Peace and righteousness are found somewhere other than here. This way of thinking, while beautiful and aspirational, ignores what we are tangibly... an animal, and I would much rather tend to the beast I share my body with than attempt to outgrow it.
I am not a spiritual person, but I have spent years investigating the systems humans have built around our flesh, to explain it, condemn it or ignore it. Myths, theology, philosophy and even every day stories are a map of all that we desire to be and transversely, what we are running from admitting we are. The Earth Below is a body of work exploring our shadows as told by the very stories we have built cultures and fought wars over. I am not here to argue anything, merely share what I find in the dark.
My work centers depictions of instinct overtaking reason. The figures are often blind, symbolic of this state. Animals are joined with human forms at the site of a wound, alluding to a characteristic of that animal we share. I find that horror speaks to the discomfort we feel in confronting our own shadows, and for that reason it finds its way into much of my art.

Art within The Earth Below often pulls from my experience living with chronic illness. Having grown up without a clear diagnosis, my method of communicating this experience was through gruesome metaphor, which has found its way into my art through gore and horror elements that show the visceral nature of emotion.

I started working with acrylic paint and practicing figure drawing while studying modern dance at Howard Community College in Maryland at age 18. The human body being the focal point of all my work comes from my training as a dancer. Modern dance felt like surrealist art to me, the subconscious and the animal speaking through movement. It wasn't until 2020, during COVID lockdown, that I first picked up oil painting. After contracting COVID in 2021, my chronic health issues escalated to the point where I could no longer dance, making oil painting my primary creative outlet. Now, a few years into my career as an artist, I am grateful for the road blocks. I will always miss dancing, but I have found a world to immerse myself in with oil paint. It is what I love most in this world and I cannot imagine doing anything else.

Most of the actual work I do does not fit into a caption or even just a painting. I keep an ongoing log of world building through journal entries, essays and videos on Patreon, as well as a physical mail correspondence with a group of print collectors. It is incredibly important for the kind of work I do to share the investigation and the ritual as well as the finished product. If that sounds like a world you want to step into, I would love to have you join the journey.
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